Curriculum

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    Module One: An Introduction to the Artistry of Color Correction and Resolve

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    Module Two: Creating a Custom Workspace - Understanding and Customizing the Resolve’s Interface

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    Module Three: The “How Tos” of a Simple Timeline Setup

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    Module Four: Aspect Ratios, Resolutions and Blanking

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    Module Five: The Most Important of Grades - The Primaries

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    Module Six: Seeing with Precision - Using Your Scopes

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    Module Seven: Resolve’s Hidden Gems -the Complete Primaries’ Palette

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    Module Eight: The Gallery and Memories -Two of the Most Crucial Advantages of the Digital Grade

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    Module Nine: When Middle Grey Is No Longer in the Middle - Shooting a Grey Card and a MacBeth Chart for Your Grade and the Color Match Palette

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    Module Ten: All the Nodes We Can Easily See - Node Trees and Creative Color Correction Through Node Choices

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    Module Eleven: Curves or Primaries? - When to Use Curves vs Primaries

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    Module Twelve: A Window Is a Shape by Any Other Name - Digital Lighting

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    Module Thirteen: A Window on the Move -Tracking vs Keyframing

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    Module Fourteen: Resolve’s Ultimate Paint Brush - The Qualifier

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    Module Fifteen - Hierarchical Grading with the Layer and Key Mixers with a New Look at Nodes

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    Module Sixteen: Creating Your Own Lighting Package to Support Your DP Using the Key Mixer

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    Module Seventeen : Blurring, Sharpening and Throwing the Image

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    Module Eighteen: Reframing the Image with Sizing

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    Module Nineteen: Your Piece De Resistance - Your Final Color Diary

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    Module Twenty: The Camera Raw Palette

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    Module Twenty-One: Nobody Puts a Colorist in a Corner - Color Management

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    Module Twenty-Two: The Last Step - The Render & QC process

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